Vintage art is really popular right now. I’m honestly not sure why. Maybe the hipsters brought it back. Maybe people are so overwhelmed with absurdly complicated technology that they long for a “simpler time.” Maybe it’s just that people love to put on their nostalgia goggles and view the past favorably.
In any event, vintage art has made a big imprint in the visual effects world. This is especially true in the video game industry where indie developers continue to pump out games that resemble the quaint 8-bit titles of 20 years ago.
And so a totally new art style has emerged, one that combines vintage style with modern technology to create a bizarre mix of old and new. Am I totally losing you? This video should help clarify things:
Some video game designers have applied this principal to their own titles. Evoland, for example, explores the gradual progression of action/adventure RPGs from their humble 8-bit origins to their super-advanced descendants like Diablo 3 and the latest Zelda releases.
Similarly, the newly-released game Dragon Crown for the PlayStation is a throwback to those oldschool beat ‘em up action games that you used to find at your local arcade. They took classic gameplay and gave it a fresh mechanical overhaul. They paid tribute to the art style of older games without making the graphics appear overly stale and outdated.
In general, you have two possible approaches for vintage art styles. The first is to directly use an older art style as a reference for your work, like with Evoland. You want viewers to watch a clip and think, “Hey, this is just like Legend of Zelda!” or “This part is just like the old Final Fantasy games!”
The other option is to capture the general aesthetic of vintage video games without copying any one specific style. A good example is the pixelated video game Fez. The art style looks like something that you’d expect out of an old SNES game, but the artists didn’t reference a specific work of art.
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